Nominated for the Berliner Hörspielfestival and now soon on the airwaves: Die Gemäldeakustikerin [The Painting’s Acoustician] (remix!) will be featured within the show “Tandem” in SWR2, presented by Katrin Zipse.
When: 23. May 2018
Time: 7:05 pm
About: Ruth Claussen’s job is a bit special: She cleans the paintings of the big museums from acoustic dirt and remnants left behind by the visitors. And she can hear the paintings talk…
Speakers: Michaela Schimun, Mathias Scheliga
Further Speakers: Lyndsey Buckingham, Tanja Nittka, Ulrike Stöhring, Sebastien Terrie, Gabi Schaffner
Text, Recordings & Mixing: Gabi Schaffner
Note: This version is a variated remix of the Audio Guide Staedel Version 2015
Additional material from freesound.org: „Slow Trumpet“, by: unfa, „Creepy Classical Vinyl Glitched“ by: notembug, „Clicking Dial“ by: Zott 820
Almost to late… but then there are the radia.fm archives! Verena Kuni of radio x/Frankfurt invited me to present the Resounding Bangalore show (radia edit).
“Resounding Bangalore” is a 25 minute sound collage that assembles selected field recordings of the city (and some rural locations) into a four-dimensional sound field.
Date: 13. February 2018
Place: Titanik Gallery. Itäinen Rantakatu 8. 20700 Turku, Finland
While the acoustical backdrop consists of two ordinary speakers, a low-range radio transmitter broadcasts a parallel track simultaneously. For the performance at Titanik, the radio part gets adapted to a set-up with speakers only.
Disguised as a local radio program (containing samples of Bangalorian radio, static, selected poetry and snippets of local interviews), the parallel track makes the soundscape spatially extend into the audience.
“Resounding Bangalore” is an invitation to cherish an indigenous sound world played back through the ears of a “stranger”. In my work this cultural information becomes often framed as musical concepts. The interplay of distance and difference resounds as a multileveled choir of codes that may be read differently.
Dear Friends of Radio and (Spanish!)Gardening,
Here comes an invitation and Open Call on behalf of my upcoming “Radio Gardening” residency at the Media Lab in Madrid in late February. Feel invited to contribute, discuss, comment and/or share.
You’ll find more info here: Convocatoria colaboración Datscha-Radio
For those (including myself) who want/need/dream of learning Spanish the In-Sonora team made a fine translation of our Datscha Radio 17 festival documentation… enjoy 🙂
Today, 5 pm on Colaboradio: Der Wahnsinn des Dokumentaristen… in erweiterter Fassung mit einigen mehr oder weniger seltsamen Feldaufnahmen (oder nicht) zu Winter und Wahn.
Language: de 🙂
STRANGER THAN PARADISE: 5 hours of sound, radio play snippets, good old turntable DJing ranging from Yakutian symphonies to minimal Finnish electronica: Geranium blonde aks Ms Schaffner will travel to Franfurt/Main with some of her favorite vinyls and random hard drive playlists to celebrate the last day of Mathias Deutsch and Eva Schwab’s fabulous exhibition MOONSHINER.
13-19 Uhr, 10 Dezember 2017
Kunstverein Familie Montez, Honsellstr. 7, Frankfurt/Main
Let us take a walk among the blue gum trees and immerse ourselves into the atmospheres of the sound art festival PHANTASMAGORIA in (for most of us) far away Australia. We’ll listen to Jaqui Shelton’s “Letters to the landscape” and the stunning music of frequncies by the Overtone Ensemble. We’ll sneak up to a mysterious shed in the dark by the Kiewa river and follow the path around Lake Guy accompanied by the ringing of innumerable of brass bells.
Featuring interviews with: Madelynne Cornish, Ben Byrne, Jaqui Shelton, Jeff Robinson and the Overtone Ensemble.
28. November, 9:30 pm
88.4 Berlin, 90,7 Potsdam and on stream on colaboradio
This the Phantasmagoria Special part 1. In part 2 (in December) I will present my own work for the festival, a children’s radio play and immersive sound collage for 3 radio transmitters called “Electric Fairy Grounds”…. and still more Bogong sounds 🙂
PHANTASMAGORIA (7-30 April 2017), curated by Madelynne Cornish and Phillip Sarmartzis, was a site responsive sound art festival located in Bogong Village, Australia. PHANTASMAGORIA re-imagines and transforms Bogong Village into a world of shadows, murmurs and dreams. The festival used contemporary art practices to create illusion and spectacle in order to trace the vanishing individuals and communities that have marked the Alpine region. It drew on local knowledge, historical documentation, artefacts, and folklore to help construct a social context and landscape ecology for artworks.
Incredible: Only yesterday maraa and I celebrated the release of our simultaniously published book(lets), “The Megaphone Guerilla” and “I Live Here”, and now I am – jet lagged – back in Berlin again. Number of copies is limited: 60.
While “Meg Gue” is a graphic novel style documentation of our poetic performance walk on the 7th of October, “I Live Here” gives a broader view of maraa’s eponymic creative lab and their work within the field of identity, localities and politics.
There is definitly more to say about both publications, as well as about the evening in general, as this was the final presentation of my work in Bangalore showcasing “Resounding Bangalore” as a one-off performance for 3 radios, speakers and a handbag. As soon as I get the pics, there’ll be more to it.
Here come some screen shots. A pdf will be available online asap.
Ms Schaffner is pleased to announce her final presentation as an outcome of her Goethian BangeloREsidendy: RESOUNDING BANGALORE (flyer design: Thara M. Thomas):
Bangalorian soundscapes, shortwave radio snippets and megaphone poetry, Gabi Schaffner’s performance „Resounding Bangalore“ draws on her sonic experiences in India. Rummaging through her handbag she’ll present her finds to a willing audience. Additionally, a to date undisclosed surprise sound installation will beautify the venue’s bathroom.
“Distance and locality are not just about geography. They define relations within a family (or culture) on multiple levels. They may or may not define identity. They may vary or move, they may travel or change by travelling. Much of my art is dedicated to the twin star system of (cultural) distance and difference and its pitfalls.”
„Resounding Bangalore“ is part of maraa’s creative lab “I Live Here” for which she has been invited to work with in cooperation with the Max Müller Bhavan Goethe Institut. Her zine publication “Megaphone Guerilla” documents on a poetic street happening also developed together with the maraa collective.
Ms Schaffner is happy to announce that she has been invited by Goethe Institute to work with the fabulous Maraa Collective for Media and Art in Bangalore this autumn.
As much as I like the perfumes of rotting leaves, frosty mornings and above all, of mushrooms under fir trees, I will swap this for neroli oil, radio waves and Bengaluru roses… and work with the Maraa collective of course. Hello India!
“Maraa works on issues relating to community media – most notably community radio. Activities involve research, policy advocacy and capacity building. Maraa also facilitates art in public spaces in Bangalore City. Since 2008, public parks, malls, unused and vacant buildings have been used to showcase a variety of art across the city – including theatre, graphic illustration, contemporary movement, independent music, sound installation, poetry and storytelling.
Maraa is also involved in various local campaigns – for example, eviction of slum dwellers and street vendors, malnutrition of children and violence against women and sexual minorities.”